Showing posts with label portrait. Show all posts
Showing posts with label portrait. Show all posts

30 November 2013

Les enfants de Clermont-Ferrand

Como siempre, el viernes, primero de los 3 días del Rendez-Vous du Carnet de Voyage de Clermont-Ferrand está dedicado a los colegios. Los niños vienen en tropel desde primera hora de la mañana, la cosa asusta un poco pero la mayor parte son amables y respetuosos. Con mayor, menor o ninguna timidez pero con bastante educación te piden que les dibujes algo en sus cuadernos. Yo digo, qué tal un retrato? A todos se les iluminan los ojos y dicen... sí!!
Siempre me siento en un compromiso dibujando niños, quisiera atrapar la delicadeza de sus rasgos y la inocencia de sus miradas cosa que no me resulta fácil acostumbrado como estoy extraer más bien lo contrario en los retratos suelo hacer. Mucho más si el interesado me está mirando mientras lo hago. Afortunadamente mi mano debe de tener el día tonto y voy encadenando una serie que encanta a los chavales y a mi me deja razonablemente satisfecho.
Al principio olvido sacar la cámara para fotografiar los dibujos, visto que lo más probable es que no los vuelva a ver, así que sólo puedo traer aquí nos pocos.

As always, friday, the first of the 3 days of the Clermont-Ferrand Rendez-Vous du Carnet de Voyage is dedicated to the schools. Children come in droves from early in the morning, it's a bit scary but most of them are kind and respectful.  With more, less or no shyness, but always politely they ask you to draw something on their notebooks. I say, what about a portrait? All of them enlighten their eyes and say... yes!!
I always feel embarrassed when drawing children, I would like to catch the delicacy of her features and the innocence of their looks, issues not easy for me as I'm used to extract just the opposite on the portraits I often do. Much more if the person is looking at me while I draw. Luckily my hand must be on its right day and I link a series that pelease the kids and gets me reasonably satisfied.
At the beginning I forget to take out the camera to photograph the drawings, since I'll probably never see them again, so I can only bring here just a few of them.

Clermont children #1: Theo. Clermont children #2: Alban. Clermont children #3: Maeva. Clermont children #4: Lara & Claire. Clermont children #6: Romane. Clermont children #7: Audrey. Clermont children #8: Theodore. Clermont children #5: Faustin.

Algunos, entre tímidos y entusiastas, me muestran su agradecimiento: después de recibir su retrato han hecho el mío en la página de al lado y vuelven para mostrármelo. Es emocionante.

Some of them, shy but enthusiast, let me see their gratitude: after receiving their portrait made by me, they've drawn mine on the opposite page and come back to show it to me.  It's touching.
  Clermont children's drawimgs #1 Clermont children's drawimgs #3 Clermont children's drawimgs #4Clermont children's drawimgs #2

27 December 2010

Clermont revisited

(En español en De Vuelta con el Cuaderno)
Drawings made at the XI Biennale du Carnet de Voyage that took place on november in Clermont-Ferrand. It was short car trip with my neighbour, urban (and not only) sketcher and friend Lapin to take a look at this huge sketch reunion.
Beeing a visitor has made this second chance much different from my first Biennale in which I was invited to show my work and passed most of the 3 days glued to my stand.
Apart from the usual camels and palm works (many of them really good, I must recognize) there were many new different works. I've appreciated (and welcomed) a more open minded approach this time, not so closed to the romantic, platonic, ancien régime, Discovery-Channeled and Stanley-Livingstoned idea of travel (that I like and follow myself). Works as Laurent Lolmède crowds, Damien Roudeau's homeless and prostitutes or Julien Revenu's authopsies are good samples of a different way to look at "travels" as an experience to be told on a sketchbook, much more interesting for me than the usual turban sketches.
I met also new and old folks and sketched some portraits (and not only). I draw them on a gorgeous sketchbook handmade by Choni Naudin, an amazing bookbinder from Zaragoza. She made this special one for the first meeting De Vuelta con el Cuaderno and since I couldn't assist I filled it at the Biennale.

On these pages Laurent Lolmède, Julien Revenu, Mathieu Sapin, Cécile Quéau, Florent Chavouet, Jean Michel Charpentier, Andrea Longhi, Lapin, Joaquín González Dorao, Frédéric Rudant, Damien Roudeau (which baby sitted Marilou, 4 y.o.  page 3 left, while I visited his stand) and Sanjeev Joshi.

I needed some more pages and I continued sketching on my current pocket sketchbook.
On these pages Roberto Cariani, Laurent Lolmède again, Elsie Herberstein, Damien Chavanat and Delphine Priollaud.


The day after I went with Lapin to draw the cathedral.
It was very cold so I just made a (forced) fast sketch
H&T-116-17

29 January 2010

Pocket Sketchbook #8

This came always with me between july and october 2009. Almost all sketches where made from life in Porec (Croatia), Casalecchio, Castello d'Argile, Bologna (Italia), Jávea and Valencia (Spain).
Music: Bobby McFerrin (1950) "The 23rd Psalm (dedicated to my mother)",
Bobby McFerrin (Medicine Music, 1998).

13 August 2009

Vacation (2nd. part)

More from my vacation in Porec, Croatia. Apart from the sketches of the previous post, I made 66 quick portraits of the people around. 52 of them can be seen on the last pages of this sketchbook (at that point I ended it and started another one, not ready yet). These are some samples.




14 October 2008

France's portrait


This is my contribution to France's japanese Moleskine for the Moly_X_12.
France is one of my first loves since I started to navigate in search of sketch junkies in april 2007. I've always admired her portraits, her cars, her style, her technique... When I had to draw on her sketchbook, I decided to make this humble joke (just to demonstrate she's inimitable).
I used some Pigma Microns and a Copic Drawing pen for the blacks and a Faber Castell OHP-PLUS 1523 for the green.

03 August 2008

Father


I don't use to make portraits. I must recognize I'm afraid of failing the resemblance and so, when I draw people I pay attention to gestures and attitudes leaving resemblance aside (I'd like to have France's eye for portraits!). Anyways, I'm quite proud of this one. My father was solving a crossword puzzle near the swimming pool and I made a very fast scribble (less than a minute) with a Pentel GFKP brush pen. I was really surprised of the (lucky) resemblance on such a quick sketch and I put immediately some watercolor touches. The whole drawing took about 5 minutes. I don't know if I really "catched the moment" as it's used to be said for photographies, but I sure can relive the whole scene when I see it.
The whole sketchbook can be seen here.

16 February 2008

...and know you love them.

Introducing you Fabio, the first-born and only-born son of mine.
I've talked sometimes about him, he's one of the most interesting people I know, impossible to get bored when he's around (in all senses, many of you surely do know what I mean).
I made this portrait from a photo I took in december (we were on the bus and so the angled view), few days after the scene I told some days ago.

20 November 2007

All around me are familiar faces

About two months ago, tidying up my old folders I found a lot of forgotten drawings, many of which I've now posted here.
My last archaeological loot (and now I'll must upload just new drawigs) is a series of portraits. These are two of them made in 1985 ca., you can see the rest here.

I had a big surprise seeing again the crosshatching in Duke's collar because it reminded me -far in the distance- the technique of my admired France.
It was made with a rapidograph (our beloved Pigma Micron type fibre pen didn't exist then). For this kind of work, the only choice was this or the dip pen.

This is one of the few drawings of which I don't conserve the original. I made a good photocopy for me, and gave the original to a friend of mine, great fan of Buñuel as me.

07 October 2007

EDM #56 "...keeping an eye on the holy land"

EDM #056 Draw a self portrait
The big shadow is half a creative choice, half a fiddle to avoid drawing the second glass (it always comes different from the first one).
I made a lot of sketches and two serious (and missed) attempts before this one, but I'm not so courageous as Suzanne: I haven't published them.
I've made this with France's stratospheric portraits somewhere in mind (color on the back is a little homage).
Thank you both!

11 September 2007

In memoriam Luciano

Last days italian TV has been full of odes to this big man, so I couldn't avoid to make some scribbles.
He was not my favorite (let's forget some raids in "foreign" repertoire) but there were some roles he sang as no one ever did.
Luciano


25 November 2006

Not my heroes

I'll talk with my therapist about my tendency to portrait ass holes while watching TV. And so, ladies and gentelmen, here is some people I'll never invite to my birthday party.

Giuliano Ferrara, TV anchorman

Antonio Socci, religious fundamentalist

Maurizio Gasparri, Berlusconi loves him (so does Murdock)

Edward Luttwak, war specialist

George W. Bush, man in charge

Zapping & Sketching

Marco Pantani

Bob Dylan

Gabriel García Márquez

Any smart ass

Philippe D'Averio

Bertrand Russel, Livia Turco, Maurizio Costanzo & others